极简手绘林黛玉与武大郎叙事场景

Generate a set of minimalist hand-drawn narrative small scenes around any subject, breaking the theme into several loosely distributed action moments: small characters or symbolic subjects interact with thematic derivatives in clumsy, childlike, slightly exaggerated postures, focusing on ritualistic actions like "pulling, supporting, lifting, handing, approaching," letting slender lines, suddenly thickened solid blocks, and white space tell the story together. The image should not pursue realistic perspective; characters and objects can be deformed, tilted, or slightly irrational in size, with arms and props forming continuous arcs, and subject edges retaining broken, jittery, white-leaked, and back-stroke marks, like blackboard notes or live sketches drawn in one breath. The background remains a large area of clean empty space, allowing only a few graphics to form breathing distances between each other, avoiding complex scenes and decorations filling the void; each small fragment is like an independent symbol, but the overall reading has a brisk, intimate, and slightly humorous rhythm. Colors are extracted from the theme's own material, mood, and occasion, mapped into a bright and clear base color, a tiny amount of high-contrast structural lines, and necessary thematic emphasis colors; line colors can change with the theme into clean dark tones, maintaining clear color gradients, low impurities, strong white space, and a warm, lively visual mood, without dirty or old textures. The final effect should be like an authorial graphic language between children's graffiti and design sketches: simple, ethereal, with action memory, and must not become fine illustrations, realistic comics, or neat icon sets. Subject: Lin Daiyu falls in love with Wu Dalang. Aspect Ratio 16:9.